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Brose
makes film itself into the protagonist of his exploration. With
images and sounds constantly decaying and shifting and contaminating
each other, film becomes a metaphor of the transforming self that
Wilde prized for corrupting a sense of sexual normalcy. De Profundis
embraces Wildesque deviance and cautions that the desire for normalisation
prevalent among contemporary gays threatens to contain it.
- John
Palattella |
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Art has no influence upon action. It annihilates the desire to act.
Art that the world calls immoral is art that shows the world its
own shame. - Oscar Wilde |
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| Wilde
understood and exploited the artifice of identities and social positions.
It is the idea of the artificial nature of wealth, privilege, and
class that Wilde used in his writings to lampoon and expose the
moral conflicts at play in the high society of Victorian England.
In fact, I believe that Wilde was imprisoned not for buggering boys
but for freely crossing class lines with rent boys and lower class
faeries and not upholding certain codes of upper class appearances.
We must remember also that he was an outsider by virtue of being
Irish. - Lawrence Brose |
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The
only way to get rid of a temptation is to yield to it.
- Oscar Wilde
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| REQUIRED
READINGS & WEBSITES |
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Lawrence Brose, De Profundis website, online http://www.lawrencebrose.com |
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| Lawrence
Brose,"Why I did Wilde", VOICES (Sept 1998), course reader |
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| John
Palattella, "De Profundis", online http://www.hi-beam.net/mkr/lb/lb-bio.html |
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Eve Kosofsky Sedgwick, Epistemology of the Closet (read ch. by
the same name) (University of California, 1990), course reader |
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Jonathan Dollimore, "Ch. 4: Wilde's Transgressive Aesthetic and Contemporary
Cultural Politics", "Ch. 5: Re-encounters", "Ch. 7:
Tragedy and Containment--The Art of Expiation: Wilde in Prison",
Sexual Dissidence: Augustine to Wilde, Freud to Foucault (Oxford,
1991), course reader |
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| SUGGESTED
READINGS & WEBSITES |
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Oscar Wilde, De Profundis http://emotionalliteracyeducation.com/classic_books_online/dprof10.htm |
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