Caroline Koebel's experimental practice roams between film, video, installation, performance, net art, curating, and writing. Her artwork often confronts the problematics of female being-in-the-world and the expression of subjectivities at odds with commercial culture. She also has an evolving body of work birthed of the need for creative, critical and communitarian resistance to these utterly undemocratic times in US culture and politics. She has a serious commitment to DIY ethos, a fruit of her tendency to daydream and also of her teenage days as a punk in Columbus, Ohio. Her works have been shown across the USA, as well as in Brazil, Ireland, Thailand, and elsewhere. Her writings on art and contemporary culture have appeared in Art Papers, Brooklyn Rail, Dialogue, and Wide Angle. She teaches in the Department of Media Study at the University at Buffalo, State University of New York.